Bad Bunny did not just headline Super Bowl LX’s halftime show; he turned the biggest stage in U.S. sports into a living mural of Puerto Rican and pan‑American life. From the first shot of him emerging through towering cane fields to his final declaration that “Together, we are America,” the 13‑minute performance functioned as a love letter to the people who rarely see themselves centered in this kind of spectacle. The show opened in the fields, with Bad Bunny carrying the Puerto Rican flag as dancers dressed like agricultural workers moved between stalks of sugarcane. The imagery nodded to the

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